TWELVE OF TWENTY FOUR

What’s that voiceover on social media? And with that, the 2024 season comes to an end. Goodnight.

1 Jan 2025 — As I tried to fall asleep, I jolted up: I didn’t post a photo! And then my brain turned on and it was rather unsettling but I laid back down, slight unease fluttering in and out of my limbs. Somehow, I slept despite the strange feeling of missing a day. I did not care for the feeling but I know I’ll burn out if I push too far.

For the 2025 season, I’ll be doing a photo a week. It’s called Project 52. I started a spreadsheet, because — hello — and I’m really hopeful I counted right but let’s not pretend I’m good at math all of sudden… Que sera, sera.

Project 52. Online, you’ll find tons of groups, forums, collectives posting the prompt for the week. I always check them out to see if there’s any new ideas that I could turn into a lesson or what-have-you but I’m always left unenthused. And I like being “thused”.

So I’m making my own, with the help of a few people and their suggestions. The goal is to go a bit deeper than surface level. I definitely went deeper in 366/2024 but not always, some days I just photographed what I saw — a bird, a cloud, the moon. Don’t get me wrong, I love these photographs too but I want to work on narratives in photography. So my overarching goal is to create a narrative that evokes emotion and encourages viewers to engage with the story. But I want to zero in on one area, surrealism: a style of photography that uses creative techniques to create dreamlike images that represent unconscious ideas, emotions, and dreams.

Are you surprised? You shouldn’t be. When I was younger I thought goals were so foolish. I didn’t see the merit. But now I really like them, I like working toward something.

Before we embark on this new journey (Week 1: 6 Jan 2025), I wanted to pick my favorite from each month of 2024.

J A N U A R Y

24/366/2024
This one was untitled. January was full of creative ideas and I was proud of what I accomplished like 23/366 and the liquified eye in the clouds or the gold sweater/flower/eye liquify of 25/366 but when I posted 24/366, my chest did the flutter. I call it the “chest tinglies” and I tell art students to be on look out for it. When you get that feeling like you’re a bit scared to show the world who you are… [Cue Iris by Goo Goo Dolls — the live performance in the rain. And I don’t want the world to see me cause I don’t think that they’d understand.] That’s it. That’s the art you’re supposed to be making. It’s a bit out of your comfort zone and it’s true. The face on the left, that’s what did it. It’s how I felt, what I felt. And it was unfiltered.

F E B R U A R Y

33/366/2024 // placeholder
This may have been the month where I was the most adventurous. I was feeling brave. I found my love of “the portrait of a house” and 38/366 - the old green house at sunrise almost made it as my pick. I loved photographing the moon and I’m still attached to 60/366 although it is a rather ordinary photo. But this photo, was something I had always wanted to do. Adding text to a photograph in a way that fit, that was seamless. This song is the other reason it has to be the one for February. Sharing it feels like letting you read my journal and that’s pretty close to chest tinglies.

M A R C H

87/366/2024
Another untitled. I was really proud of how sharp I got the moon with a 300mm lens. I realized I would make it on this day. I knew some of the photos wouldn’t be up to my standard but I set expectations far too high for everything. But it was this day that I knew I would get to 366.

A P R I L

111/366/2024
I mean, just go read the post. I made this artwork based of Lifeline by Angels & Airwaves and again, it was so true.

111/366/2024
It was everything I wanted it to be. The six photos were exactly right.

M A Y

134/366/2024 // here comes the promise of summer
May was kinda rough. When I look back at the photos, each day holds a specific mood, memory and most of them are rough. This one felt a little like hope and another thing I dreamt up that came out just right.

J U N E

156/366/2024 // there is no way out
June was a rollercoaster, up, down and back. Both creatively and emotionally. But I think this is the one. I went deep into the world of collage and I love157/366 and 165/366. And the visit from Willow on 167/366.

J U L Y

206/366/2024 // sometimes it looks just like a movie
This is slightly misleading. It’s definitely number two on the favorites of July but… It’s not number one. Sometimes I love a photo so much that I keep it just for myself. And I’m going to keep the number one spot just for myself. This photo 206 — I fell in love with it the moment I framed it. It looks just like a movie set to me. It has poetry and it’s the end or the start of something or both and I just love it.

A U G U S T

220/366/2024 // i wish i could slow down time but not enough to slow you down
Another song I love dearly set to a visual. I did two different focus points — the grass, the tractor. I overlaid both photos and I was dumbfounded because why haven’t I always been doing this? It was like a knowledge quest was unlocked in this game. Something clicked into place.

S E P T E M B E R

249/366/2024
Another untitled, another moon, ‘nough said.

O C T O B E R

282/366/2024 // and you never really know where it goes up until it starts
I would never be caught alive in a hot air balloon. Absolutely not, no, nope. But man, I love to photograph them. I can’t believe it when I catch one. This one, over the corn field, sunrise. I mean — magic.

N O V E M B E R

315/366/2024 // staring at a dead end now, looking for another way out
November was another hard month. I have many I love but I think it’s this one. It feels like what’s on the inside.

D E C E M B E R

347/366/2024 // is that enough tension for you?
December was hard too. On this day, I did something I NEVER DO. I broke the rules of tension and triangles. All because a little birdy squared my shoulders and said, “I have an idea for you.” Thanks little bird. I really love this photo. And it’s so simple but I just wouldn’t have taken it. I would have framed it the way I always do. But I stepped out of the box and that’s pretty close to chest tinglies. Immediately after this, I went to Best Buy to pick up my new “moon” lens: NIKKOR Z 100-400mm f/4.5-5.6. And there are very close seconds that showcase the moon in all her glory but this one broke the camels back so to speak.

T H E E N D.

366/2024. completed

366.

Day 1 of 365 text in Italics.

They won’t all be winners. They definitely were not all winners.
I might not make it every day. I did!!!

I may not even make it to the end of the project… I’ve only ever made it to day 18 in the three times I’ve attempted this before. I can’t even guarantee the photos will be taken on the day they’re posted… They were all taken the day they were posted, although some of the collages just used a small aspect like a bird or a cloud. But they’ll exist for as long as I can keep it going. I kept it going.

Project 365. 366. I don’t know who first started this. I did some googling but wasn’t confident in the answers I found. Some crazy photographer who wanted a challenge…I’m sure. That’s usually how these things begin and then people follow along for the ride, then join in, and then it becomes this massive living thing. It absolutely did become this massive living breathing thing. It was, in short, awesome. I highly recommend, but first, fail it a few times when you start and then wait until life is fun again to do it for real. I could probably make a whole post about what I learned but I’m not ready to share that yet. I just know it was so worth it and it feels like it’s something I’ve always done.

However this ends up, I wanted a photo that would work as a bookend to the first. I dreamt up this idea in the car listening to all the greatest crappy punk songs I hold so dearly. I still listen to the same songs. Many of them made into a photograph and many more will.

And then I thought, maybe this is the year, 2024, 365, a photo a day. So whether I make it or not…on 12/31/2024 I’ll take the sister to this photo and invert the opposite side. Whether you stick around or join in, I’ll see you on the other side. Welcome to the other side.

1/365 // 2024 beginning

I’m mostly the same, but a little different. One thing is for sure: I don’t want to stop. Seriously, tomorrow, I just don’t take a photo? Doesn’t seem authentic to who I am now. The camera has really become a part of my language, an extension of myself, it feels unfair, unnatural to stop it.

Here’s the sister photo for 366/366. (I really should have just changed the number when I realized it was a leap year, but if I had — then I wouldn’t be me.)

Also — now my nose no longer perfectly aligns with my mouth so that’s fun.

366/366 // 2024 finished

Thanks for taking the journey. Maybe I’ll see ya tomorrow. ;)

TO THE CITY

Every time I go to the city, it pretty much chews me up and spits me out.
Take me to an abandoned house in the middle of nowhere and I’m so solid.
Take me to a forest, river, lake, open field, ocean, even, I’m so good.
Take me to the city…I just can’t figure it out. Take the girl out of the prairie, can’t take the prairie out of the girl I guess. So when I woke up to the… what 5th straight day of fog… I said, “Ok, fine, Universe — you win.” And so I went… Twice.

Round 1.

365/366

365/366

365/366

365/366

365/366

Round 2.

365/366

365/366

365/366

365/366

365/366

365/366

THINK I'LL GO TO BOSTON

T-minus three and we all start over… [i don’t like the beginning of things, too much pressure]
Over but just begun — 364. 365. 366. Leap year, go figure… [i’ll pobby just continue]
Still need to go to Boston [where no one knows my name]

364/365 // you don’t know me

364/365 // and, you don’t wear my chains

ORANGE SKY.

song: “orange sky” by alexi murdoch

360/365

360/365

360/365

360/365

360/365

360/365

360/365

YOU'RE ALWAYS LEAVING THE LIGHT ON

song: garamond by arm’s length

362/365 // stuck in a dream state of art

362/365 // should i fall off the face of the earth?

HEAVEN ON EARTH.

A pair of Yellow Gloves
Too big to fill
A pair of Red Wings
Too strong to wear down

359/365 // we’re goin’ on a bear hunt

359/365 // we’re gonna catch a big one

With those big hands, it is said he built our home into the hillside,
I was too young to understand.
He has the hands of his father, I have the hands of my grandmother,
But our blood runs the same, though it won’t flow in my fingers any longer.

359/365 // trails i took as a kid

359/365 // roaring or frozen, i love you all the same

So he’ll slide one Yellow Glove from his marked and gnarled hand and pass it to me.
”Which one needs it?” The left. The right needs to advance the shutter. I can’t miss a moment.
Run ahead, crouch in the prairie grass, let the light slip lower, count the steps, take the shot.
I’ve taken these photographs one billion times but I need one billion more.

359/365 // leading

359/365 // we follow

I was too young to understand when they moved our home and forged it among a snakes den.
We ran through the tree rows, got muddy in the culverts, shot fireworks past the clothesline.
Helped with Yellow Gloves to clear dead trees, and planted new ones.
Followed Red Wings as they lead us in and out of pastures. “We’ve got nothin’ but time.”

359/365 // remember when

359/365 // remember when

We’re going on a hike. And so we’ll play Remember When?
”The time Gypsy found two boys by the old trees where the Cannonball curves, starting a new civilization in a blizzard.”
”The time the Eldest crossed the river and fell in.”
”The time we lost the Second Uncle and the fire brigade rescued him.”
And I wonder if this too will be a Remember When on next year’s hike.
But alas, we make it to our destination, minus one pair of sunglasses.

359/365 // pretty little dead things, part two

359/365 // look up

And so we close another year with another hike and few more photographs of the people I’ve always known weaving their way across a frozen prairie. Amidst the golden hour, with the sound of the prairie grass, I can’t help but notice we’re a few members short.

359/365 // few things are greater than a view like this

My chest squeezes because I want it to always exist.
The way they forged this family, this tradition, I need it to stay.
I need it to always live on.
I need every photograph, every cocklebur, every stick of the western wheatgrass.
And like every other year, I can’t quite catch my breath —
And I wonder how I could have ever left, heaven on earth, because I’ve always only ever followed

A pair of Yellow Gloves
Too big to fill
A pair of Red Wings
Too strong to wear down

”Come along, shadow.”

ALWAYS ALMOST THERE.

357/365 // vincent’s photo

Sometimes I wake up and it’s a “close out the world day.”
Headphones in. Music playing, no skips.
You can repeat a song, but you can’t skip it.
You can save it to a playlist, but you have to let it play.

Sometimes on “close out the world day” —
I sit in front of the camera on a tripod and wait for the song to tell me what to do.
Sometimes I wait a long time.
Sometimes Vincent appears to see what’s happening and why I can’t hear him.
Sometimes he takes a shot at portraiture.

Today had a really great stream of random songs.
Like really great.
Like I saved almost every single one.
As I sat in front of the camera three really visual songs played in a row.
But I started taking images during Always Almost There by Cathryn Lovett

357/365 // all my friends are getting better, i’m just getting scared

357/365 // i can’t get my shit together

357/365 // always almost there

357/365 // what if i lose my mind?

If you listen to this song, and you probably should, put headphones on because the ending — it’s necessary.

BRIGHT AND CURIOUS WE'LL STAY

Promise me this,
That you’ll stay bright and curious.

Stand tall, shoulder’s back, hand clasped,
Stand like a punk.

Do not fold, do not bend.
Stay who you are because who you are is important.

355/365

355/365

Promise me this,
That you’ll stay bright and curious.

Say what is necessary, say it again, say it loud,
And do not yield for what you know to be true.

Do not shrink, do not diminish your light.
Stay who you are because who you are is important.

There are many impossible things we face.
There are so many, I cannot possibly write them all in similes and metaphors.

There will be many more impossible things to face.
We will meet them all, standing tall, with light, unyielding to the dark.

WEREWOLF MOON

This isn’t real.
You’re right it’s not.
It’s got a little exposure stacking, but, I mean, c’mon, how is the night this cool.

349/365 // 14 dec 2024 01:14:08 sans geminids but complete with jupiter

349/365

349/365

IS THAT ENOUGH TENSION FOR YOU

“I’ve got an idea for you.”

347/365

347/365

347/365 // “I’ve got an idea for you.”

347/365

brittle fingers, my bones ache
headlights in my rearview mirror are too bright
it comes to me then, i’m too sensitive for this life

sore legs, my muscle burn
fog swirls in the sky as the taillights dip below the horizon
it comes to me then, i forgot to tell you that one last thing

empty stomach, my head pounds
punk music circles in and around my head
it comes to me then, i’ll never quite fit into this existence

OBJECT PERMANENCE

song: object permanence by arm’s length

346/365 // I think I’ll hold on until my fingers slip away

346/365

346/365 // I’ll stare at the sky until I catch it blink

hazy clouds
pink moon
someone points at the sky
it’ll be time soon

exhaust swirling
cold biting
i reach out but can’t close the loop
battling, fighting

don’t leave me in the dark
reach back for me
”be stronger, get it together”
at war with the constant plea

they forget them
i save every word
the wind cuts my eyes
all i see is blurred

i am a ghost
climb out of the dark
one foot under, one foot above
can’t escape it without a mark

i am ok, i am alright
i am fine
these scars, these words, this battle
it is mine

without it, i am incomplete
without it, i am not me
it is mine
and so all mine it will be

hazy clouds
pink moon
someone points at the sky
it’ll be time soon

A LETTER TO AN OLD FRIEND

If I could talk to you now
I’d ask so many questions

How did you do it?
How did you lay it all aside, set it down, and move beyond it?
And do you think I’ll get there?

Do you ever still watch the sunrise?
Do you sit on the roof?
Do you remember it?

You can’t really pocket dial anymore, did you notice that?
It made me sad when I did
Tonight, in the cold, a memory flashed from the depths of my mind
The cold and the wind, they always bring it back

After closing shift, late at night
Country road, windows down
Singing at the very top of your lungs

The special ringtone
The rush of the wind from your window
The shitty bass in that red car
The rasp in your rough voice

I’d crouch at the end of my bed
Alone in the basement, clutching the phone to my ear
Listening, smiling, stifling my breath
And laughing, your laugh, full and unabashed when you’d yell my name

It’s a nice memory
Hides some of the not so nice memories
Do you still sing in the car?

You can’t really pocket dial anymore
Did you notice?

You can’t watch a sunrise from the roof
Do you remember how cold it use to get?
And how we didn’t care?

I can’t take that country road to your house
And neither can you

If I could talk to you now
I’d ask you so many questions

I’d ask how you are
I’d ask who you’ve become

I’d tell you who I am and what I’ve done
I’d ask if you think it makes any difference at all

If I could talk to you now
I’d ask how and when, exactly, did we grow up
I’d ask when, exactly, did you let go
And if it’s time that I did too

If I could talk to you now
I’d tell you I think I already did

345/365 // talking with ghosts again

LOST BOY

song: lost boy by ruth b.

340/365 // i might be in love with the moon

340/365 // i’ll promise that you’ll never be lonely
There was a time when I was alone
Nowhere to go and no place to call home
My only friend was the man in the Moon
And even, sometimes, he would go away, too

340/365 // sprinkle me in pixie dust and let me to believe
Neverland is home to Lost Boys like me
And Lost Boys like me are free

340/365 // always on the run

340/365 // “away from all of reality"
You are now my home sweet home
Forever a Lost Boy at last

340/365 // i am in love with the moon
There was a time when I was alone
Nowhere to go and no place to call home

SLIVER MOON

Just a glimpse.

339/365 // sliver moon at 16:52
peek venus in alignment

WALK ON.

song: can’t go back now by the weepies

You and me walk on, walk on, walk on.
One foot in front of the other. An impossible task, I know. But we do it anyway.
In the end, we’ll wish we were somewhere else. But we’ll stay anyway.

331/365 // I’ll see you after.

It will feel like we’re all alone. But we’re not. We are — both — on the other side.
Waiting it out, walking on.
When you can’t take one more step, picture stardust, a rising moon surrounded by inky black and walk on.

You won’t know it, but I’ll be doing the same. Trading pavement for prairie grass.
Wishing on the same dark sky.
Waiting it out, walking on.

331/365 // I’ll be here.

The light might fade. The easing strength may wear thin.
But neither light nor strength will completely diminish. It does not disappear.
It feels farther from reach. It feels like that impossible step.
But, it lingers, pulling on that tether. Echoing a song, whistling on the wind, sharing the same thoughts.
It lingers in dark. It lingers in light.

So walk on, walk on, walk on.

Take up space. Say what you need, out loud. Say it to the sky, to the wind, until you’re heard.
You can hold both. The dark and the light. I know, because, I do, too.
And I know because you do. And in this, we never have to be alone, even when walking alone.
So walk on, walk on, walk on.

And I’ll see you after.

SOMEWHERE.

Somewhere out there is a book with forgotten words.

Somewhere hidden away in the inky black of night, lay some of those words. Just under soft gray clouds, dancing behind stars and planets.

Somewhere in the vast navy blue of ocean waves, turning over and over, a few phrases sink.

Somewhere along the prairie grass, there’s a thought or two hidden in the wind. It howls and still the words hide.

Somewhere deep in my chest cavity, under my rib cage, there are words etched into the thump and beat of my heart. Strangled and trapped; beating, raging, to escape.

Somehow, if you were to collect all these words and line them up... You’d know then. That I’m somewhere. That I’m somewhere else entirely. But you’ll never get to this somewhere.

And so my words live nowhere.

324/365 // in all scenarios and in all situations

327/365 // like long goodbyes from the lonely sound of alarms

HOLD MY BREATH, TAKE A DIVE.

I’ve had this song on repeat in my head for several days now.
That usually means it’s time to make it visual.

song: I Don’t Like You, Whatsoever by Major League

323/365 // I’ll walk the plank with my blindfold tied / I’ll never make it out of this storm alive

But I should note, I do like you all whatsoever, so don’t take it too personally. 🤘🏻

SOMETIMES.

Sometimes I cannot breathe and I don’t know why
Sometimes it feels like the weight of all existence is splayed out in front of me and there’s no way to understand any of it

Sometimes my stereo skips and I think it’s you calling
Sometimes I don’t think I’ll survive if you don’t

Sometimes I think I was given the ability to feel too much or nothing at all
and there is no inbetween and there is no balance

Sometimes I want so badly to say the exact right thing at the exact right time
Sometimes I try to eat something, take three bites, and throw it away

Sometimes I think I really can solve the problem
Sometimes I think I’m full of shit

Sometimes I think too much
Sometimes I don’t think at all

314/365 // staring at a dead end now; looking for another way out

315/365 // I’ll try again